Vogue's Yin and Yang

Anna Wintour is the most powerful woman in fashion. PERIOD. There isn't any aspect in the fashion world where she is not involved in. From sales to design editing to celebrity styling to rubbing elbows with the mega-millionaires who own the conglomerates that turn our closets topsy turvy, she is immersed all the way to her neck in everything regarding the world of style. She advises and dictates what goes into a famous designer's show (advise and dictate become synonymous in her parlance), she launches young designers and catapults them into fame and megabucks by recommending them to all the right people and labels. (She told OPRAH WINFREY to lose weight to be on the cover of her magazine HUH!!!!!) She is the chief editor of and figuratively owns Vogue magazine, the US chapter and is responsible for 101% of what goes in and out the issues. Nothing escapes her scrutinizing eyes in terms of content or creativity when it comes to her magazine. She is not warm as her publisher says because she does not need to reach out to people who do not need her accessibility. Her private life is...private. She plays tennis almost everyday (she is already my idol) to keep fit and she is very fit, very skinny in fact. She can wear anything because she has the body and she has the power to acquire any designer's garb she wants. The infamous fringe and Chanel sunglasses are signature looks that she has never let go of for the past couple of years. She is Mount Vesuvius personified!!!.

Grace Coddington is the creative director of Vogue USA. She is responsible for the styling as well as the conceptualizing of the magazine's many fantastic editorial images which highlight the clothes and style of the season worn by the skinniest girls you can ever see in the planet. Coddington's creative eye and knack for ideas are both phenomenal. She takes out a story, a scenario, a seemingly boring and monotonous daily activity, a historical element from the past and turns it into the creative backdrop of a photoshoot but highlighting the relevance of today's current trends. She is responsible for so many of Vogue's uber original and iconic pixelated concepts e.g models wearing sheer dresses while washing their clothes in the laundromat, Kiera Knightley and designers all cast straight out of "The Wizard of Oz" fairytale book scenario, a shot of a photographer jumping while shooting a jumping model, heavily made-up girls donning John Galliano in a late night French restaurant straight out of a Brassai photograph, backpacking supermodels trying to mix and match with a crowd of Peruvian/ Andean revelers in a Teotihuacan scenario among so many others. If there is another power in Vogue office that does not necessarily complement Wintour's but is equally as forceful and influential creatively it is that of Coddington's. She believes that if you never close your eyes even if it's somewhere as mundane as being driven by a taxi to some place, you will see an outside world that will give you ideas. Any idea has value at some point in your life or career.

These are the two powerful characters that turn the wheels at the New York offices of Vogue at least if not the world of style. They are often in conflict with one another but have surprisingly worked together in the same offices for 20 years now. Surprising isn't it? Grace said it best when she was trying to describe their relationship, "I know when to stop pushing her, she doesn't know when to stop pushing me."

This is the backdrop for the documentary, "The September Issue." I highly recommend watching it. Even when you are just on the fringes of the fashion world or even out of it which I hardly doubt anybody ever really is. I mean if you're a businessman or a CEO, you always want to know which Hermes or Fendi ties look good on your suit, or which socks best complement your Bruno Magli shoes noh? Don't get me started on whether women are into fashion si? LOL

It's a fantastic film that documents the inner workings of the VOGUE team and Anna Wintour and Grace and the models and photographers and staff when they're trying to prep, create and build the magazine's September issue. It's suppose to be the biggest issue of the year because it's where all the new trends are discussed, featured and advertised. All the designers, stylists, cosmetic companies will kill to be featured in that issue. The movie showed the various chaotic elements all throughout the buildup towards the publication of the magazine. It also touches a little bit on the stories behind two of Vogue's most powerful people as well as the instances and relationships they needed to work on to achieve their Herculean status in the fashion world. It is beautiful and heartbreaking! In the end these elements coalesce to become the brightest issue of the year, Vogue magazine's September outing :)